Season Three (2018-2019)

A season packed with excitement, season three included the first Theatre Above the Law staging of POE by Christina Lepri, a Jeff Recommendation for Iron Kisses, and the world premiere production of Amicable written by ensemble member Ross Compton.

 
 

Poe

October 19 - November 11

Written by Christina Lepri
Directed by Tony Lawry

Welcome to the Mystic Moon, a cabaret bar where the denizens of Edgar Allen Poe's most frightful and delightful tales gather night after night. Let the lost Lenore and her cast of ghouls lead you through four of Poe's classic stories, including "Fall of the House of Usher," "Masque of the Red Death," "The Tell-Tale Heart," and of course "The Raven" as they are transported onto the stage in an evening of creepy comedy.

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ART

February 8 - March 3

Written by Yasmina Rezna
Directed by Tony Lawry

Set in Paris, the story revolves around three friends—Serge, Marc and Yvan—who find their previously solid 15-year friendship on shaky ground when Serge buys an expensive painting. Lines are crossed and they square off over the canvas, using it as an excuse to relentlessly batter one another over various failures. As their arguments become less theoretical and more personal, they border on destroying their friendship.

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Iron Kisses

April 5-28

Written by James Still
Directed by Tony Lawry

A story of a family: a son who made up for being gay by being perfect; a daughter who treats her daughter the way her mother treated her; a mother who struggles to love her two children equally; and a father who started missing his son while he was still a little boy. In a revealing theatrical twist, two actors portray the siblings as well as their Midwestern mother and father as the complex nature of love, family and marriage in the 21st century is explored.

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Amicable

May 10 - June 2

Written by Ross Compton
Directed by Tony Lawry

Have you ever known someone who you definitely considered a friend and yet ...didn't like all that much? Have you ever been enamored with someone who didn't share a fraction of that same enthusiasm? This is a play about why it can be so hard to let these "relationships" die, and the group of people who are forced to do that anyway. Things end. And that's ok.

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